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сообщение Jan 28 2006, 07:07 PM
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Canada's biggest record label, publisher and management company is helping out a family sued by the Recording Industry Association of America (RIAA)for copyright infringement.

The privately-owned Nettwerk Music Group is intervening, it says, because the songs downloaded by the Gruebel family include Avril Lavigne, a Nettwerk management client. Nettwerk will fund the Gruebel's defense. "Litigation is not 'artist development'. Litigation is a deterrent to creativity and passion and it is hurting the business I love." Chicago lawyer Charles Lee Mudd will defend the Gruebels.
Mudd said the RIAA has "misapplied" the law and that lawsuits should be a "shield, not a sword".

The RIAA has demanded the family pay a $9,000 penalty, reduced to $4,500 if they pay up promptly. Nettwerk has vowed to foot the legal bill if it loses the case.
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сообщение Jan 29 2006, 03:57 PM
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MPAA finds itself accused of piracy

By John Horn
Times Staff Writer

6:08 AM PST, January 24, 2006

PARK CITY, Utah — The Motion Picture Assn. of America, the leader in the global fight against movie piracy, is being accused of unlawfully making a bootleg copy of a documentary that takes a critical look at the MPAA's film ratings system.

The MPAA admitted Monday that it had duplicated "This Film Is Not Yet Rated" without the filmmaker's permission after director Kirby Dick submitted his movie in November for an MPAA rating. The Hollywood trade organization said that it did not break copyright law, insisting that the dispute is part of a Dick-orchestrated "publicity stunt" to boost the film's profile.

Scheduled to debut at the Sundance Film Festival on Wednesday night, "This Film Is Not Yet Rated" examines what Dick believes are the MPAA's stricter standards for rating explicit depictions of sex than for gruesome violence. Dick also explores whether independent films are rated more harshly than studio films, whether scenes of gay sex are restricted more than scenes of straight sex, and why the 10 members of the MPAA's ratings board operate without any public accountability.

Michael Donaldson, a lawyer representing Dick, has written the MPAA demanding that it "immediately return all copies" of the film in its possession, and explain who approved the making of the copy and who within the MPAA has looked at the reproduction.

Dick said he was "very upset and troubled" to discover during a recent conversation with an MPAA lawyer that the MPAA had copied the film from a digital version he submitted Nov. 29 for a rating. ("This Film Is Not Yet Rated" was rated NC-17 for "some graphic sexual content," a rating upheld after Dick appealed.) The MPAA's copy of Dick's film was viewed by Dan Glickman, the MPAA's new president, the MPAA said.

The filmmaker said that when he asked MPAA lawyer Greg Goeckner what right his organization had to make the copy, Goeckner told him that Dick and his crew had potentially invaded the privacy of the MPAA's movie raters.

"We made a copy of Kirby's movie because it had implications for our employees," said Kori Bernards, the MPAA's vice president for corporate communications. She said Dick spied on the members of the MPAA's Classification and Rating Administration, including going through their garbage and following them as they drove their children to school.

"We were concerned about the raters and their families," Bernards said. She said the MPAA's copy of "This Film Is Not Yet Rated" is "locked away," and is not being copied or distributed.

The standard the MPAA is using for itself appears to be at odds with what the organization sets out for others: "Manufacturing, selling, distributing or making copies of motion pictures without the consent of the copyright owners is illegal," the MPAA's website says. "Movie pirates are thieves, plain and simple…. ALL forms of piracy are illegal and carry serious legal consequences."

Donaldson said in an interview that the MPAA previously had promised in writing that it would not copy the film, but an e-mail exchange does not completely support that claim.

Donaldson added that while he is not planning at this time to sue the MPAA for copyright infringement, he reserved the possibility of filing a lawsuit later. "It's my practice and style to wait and see what they do, go over all of our options, and then make a decision," he said.

Dick, who was nominated for an Academy Award for 2004's documentary feature "Twist of Faith," said in an interview that his film crew acted appropriately in tracking down and identifying the anonymous members of the movie ratings board. But even if he didn't "follow all the rules," Dick said, "I don't know how that allows somebody else to break the law."

Bernards said the MPAA has made copies of other films submitted for ratings, but did not identify any by name.

When Dick submitted his film for a rating, he asked in an e-mail for assurances that "no copies would be made of any part or all of the film," according to a copy of the e-mail exchange.

In a reply e-mail, an MPAA representative did not specifically say the organization wouldn't copy the film, but did say "the confidentiality of your film ... is our first priority. Please feel assure (sic) that your film is in good hands."

The MPAA's Bernards, who said Glickman was unavailable for comment, said the organization was operating lawfully when it copied Dick's movie without his or his producer's authorization. "The courts recognize that parties are entitled to make a copy of a work for use as evidence in possible future proceedings," she said.

The MPAA has not brought any legal actions against Dick, but did call the police when the movie raters complained about being stalked and were worried about their safety. The raters had no idea they were being followed as part of a documentary.

Donaldson said he was unaware of any legal cases that supported the MPAA's position.

One expert on intellectual property and copyright law said that while he was unfamiliar with any cases specifically addressing the issue, the MPAA's argument might work.

"You can't make a copy as a general matter, but you can if you meet several tests," said Mark Lemley, a professor at Stanford Law School. It helps the MPAA, Lemley said, that it is not selling the copy of "This Film Is Not Yet Rated" for commercial gain.

Dick "is right to say you can't make a single copy unless you have a legitimate defense," Lemley said. "But it seems that in this case, [the MPAA] may have a legitimate defense."
сообщение Jan 29 2006, 04:20 PM
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idioty sami sebja nakazali...

Spielberg loses out at the push of a button

Xan Brooks
Wednesday January 11, 2006


From Jaws and Close Encounters through to War of the Worlds, Steven Spielberg movies have rarely had trouble connecting with audiences in the UK.
But the man who put a capital B into the contemporary blockbuster, whose films have grossed billions and whose name is usually the stamp of glorious cinematic success, has been humbled. By a button. Pushed, it seems, mistakenly.

This has had a profound effect on the director's latest opus, at least as far as the members of Bafta are concerned. By tomorrow they have to nominate the films they think worthy of accolade, and Spielberg's Munich was expected to be among them, tipped for awards both in Britain and at the Oscars.

But the preview DVD sent to the academy's members is unplayable on machines used in the UK. As a result the majority of Bafta's 5,000 voters will not have seen the film, due to be released in Britain on January 27, and can hardly be expected to recommend it for acclaim.

Sara Keene at Premier PR, the company coordinating Munich's Bafta campaign, blamed the mistake on human error at the laboratory where the DVDs were encrypted. "Someone pushed the wrong button," she said. "It was a case of rotten bad luck." She insisted that the film's distributor, Universal, was not at fault.

The problem, it appears, was partly down to teething troubles with the limited edition DVD players issued last year to Bafta members. Developed by Cinea, a subsidiary of Dolby, the players permit their owners to view encrypted DVD "screeners", but prevent the creation of pirate copies. Munich screeners were encoded for region one, which allows them to be played in the US and Canada, rather than region two, which incorporates most of Europe.

The faulty DVDs only reached Bafta members on Saturday, which meant the film had already missed out on the first round of voting on January 4. In a further twist to the tale, a previous batch mailed out before Christmas were reportedly held up by customs officials in the UK. "It's been quite a cock-up," said one Bafta member, who spoke on condition of anonymity.

"We were promised that they were going to send screeners before Christmas, but they never arrived. Now we finally have a copy but there is no way we can watch it.

"The general feeling among members is that the film has now been shut out of the nominations simply because not enough people have actually had the opportunity to see the thing."

Having organised several London preview screenings of Munich before Christmas, Premier PR hastily scheduled three more for this week.

"The trouble is that Bafta members are scattered all over the country," the Bafta voter said. "We're not all based in London."

As arguably Spielberg's most controversial film to date, Munich is a dramatisation of the 1972 Olympic hostage crisis that resulted in the death of 11 Israeli athletes. The plot follows a hit squad from the Israeli secret service, Mossad, on the trail of the Palestinian Black September group behind the kidnappings.

The film has been criticised by Israeli officials for what is perceived as Spielberg's sympathetic attitude towards the Palestinian cause, and for allegedly equating Mossad's actions with those of the terrorists. Reviews in the US have largely been positive.

DVD screeners remain a vexed issue for distributors concerned about the potential for piracy. But the evidence suggests that they play a vital role in raising a film's profile among award voters.

"There are over 5,000 Bafta members," Ms Keene explained. "With the best will in the world, they don't all come to the preview screenings. Unless you send them DVDs it is really hard to get a film nominated."

This point was brought home last year when the distributor Entertainment took the decision not to provide Bafta voters with screeners of Million Dollar Baby. Clint Eastwood's boxing drama failed to gain a single nomination at the 2005 awards. One month later it scooped the major honours at the Academy Awards.

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